Review Knives Out
Knives Out had its world premiere at the 2019 Toronto International Film Festival on September 7, 2019, and was theatrically released in the United States on November 27 by Lionsgate Films. The film received critical acclaim, particularly for its screenplay, direction, and acting, and grossed $311.4 million worldwide against a $40 million budget. A detective investigates the death of a patriarch of an eccentric, combative family. When renowned crime novelist Harlan Thrombey (Christopher Plummer) is found dead at his estate just after his 85th birthday, the inquisitive and debonair Detective Benoit Blanc (Daniel Craig) is mysteriously enlisted to investigate. Dec 04, 2019 As the days of 2019 dwindle down to a precious few, we’re unlikely to see the year produce a more richly entertaining film than the splendid comic whodunit “Knives Out” (Lionsgate). Though writer-director Rian Johnson’s ensemble homage to Agatha Christie — and the big-screen adaptations of her work — is strictly for grown-ups, it provides.
Feb 25, 2020 For a full review, take a look at our coverage for the 4K Ultra HD Release. Vital Disc Stats: The Blu-ray. Mp4 to m4v for mac os. Lionsgate delivers Knives Out to Blu-rya with a splendid 2-disc Blu-ray + DVD + Digital release. The discs are housed in a standard eco-friendly case with identical cardboard slipcover artwork.
Harlan Thrombey (Christopher Plummer) is a wildly successful mystery writer and he’s dead. His housekeeper Fran (Edi Patterson) finds him with a slit throat and the knife still in his hand. It looks like suicide, but there are some questions. Simcity complete edition for mac. After all, who really slits their own throat? A couple of cops (the wonderful pair of LaKeith Stanfield and Noah Segan) come to the Thrombey estate do a small investigation, just to make sure they’re not missing anything, and the film opens with their conversations with each of the Thrombey family members. Daughter Linda (Jamie Lee Curtis) is a successful businesswoman with a shit husband named Richard (Don Johnson) and an awful son named Ransom (Chris Evans). Son Walt (Michael Shannon) runs the publishing side, but he’s been fighting a lot with dear old dad. Daughter-in-law Joni (Toni Collette) is deep into self-help but has been helping herself by ripping off the old man. Finally, there’s Marta Cabrera (Ana de Armas), the real heroine of “Knives Out” and Harlan’s most trusted confidante. Can she help solve the case?
The case may have just been closed if not for the arrival of the famous detective Benoit Blanc, played by Daniel Craig, who spins a southern drawl and oversized ego into something instantly memorable. Blanc was delivered a news story about the suicide and envelope of money. So someone thinks this is fishy. Why? And who? The question of who brought in Blanc drives the narrative as much as who killed Harlan. Johnson is constantly presenting viewers with the familiar, especially fans of the mystery movie—the single palatial setting, the family of monsters, the exaggerated detective—but then he subverts them every so slightly, and it feels fresh. So while Blanc feels like a Poirot riff, Johnson and Craig avoid turning it into a caricature of something we’ve seen before.
Review Knives Out Guardian
New York Times Review Knives Out
Review Knives Out New York Times
Craig is delightful—I love the excitement in his voice when he figures things out late in the film—but some of the cast gets lost. It’s inevitable with one this big, but if you’re going to “Knives Out” for a specific actor or actress, be aware that it’s a large ensemble piece and your fave may get short shrift. Unless your favorite is Ana de Armas, who is really the heart of the movie, allowing Johnson to imbue “Knives Out” with some wonderful political commentary. The Thrombeys claim to love Marta, even if they can’t remember which South American country she comes from, and Don Johnson gets a few razor sharp scenes as the kind of guy who rants about immigration before quoting “Hamilton.” It’s not embedded in the entire piece as much as “Get Out,” but this “Out” is similar in the way it uses genre structure to say something about wealth and social inequality. And in terms of performance, the often-promising de Armas has never been handed a role this big, and she totally delivers.